El Jardinero (The Gardener) by Graciela Iturbide

El Jardinero (The Gardener) Possibly 1975 - 1990

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wedding photograph

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wedding photography

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black and white format

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archive photography

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black and white theme

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wedding around the world

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old-timey

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cultural celebration

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black and white

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19th century

Dimensions: image: 22.5 × 15 cm (8 7/8 × 5 7/8 in.) sheet: 25.4 × 20.32 cm (10 × 8 in.)

Copyright: National Gallery of Art: CC0 1.0

Editor: So, this is Graciela Iturbide’s *El Jardinero*, likely taken between 1975 and 1990. It’s a black and white photograph, and… I'm struck by the way the subject is presented. There's this compelling tension between the figure’s dress, adornments, and this… worn background. How do you interpret this image? Curator: Focusing on the tangible, observe how Iturbide juxtaposes the textures—the rough, weathered wall against the shimmering fabrics of the subject’s garment, its pearl necklaces and tiara. Consider the implications of their availability, considering this piece might relate to weddings and celebrations, or perhaps, local customs and the labor required to produce such intricate pieces of attire in a time and place it was difficult to obtain them. Iturbide pushes the boundaries between "high art" and documenting the day to day life. Iturbide seems to be using materials to underscore the human conditions of those she captures. Does this perspective shift how you perceive the subject? Editor: That makes me think more about the contrast between the regality suggested by the costume and what must have been the difficult material conditions of everyday life. Almost like a comment on how people perform identities despite circumstance. The mask held by the gardener also makes me question, is the photograph documenting reality, or performativity of daily life, in Mexico at the time? Curator: Precisely! Think about the process. Iturbide meticulously frames this individual, using light and shadow to emphasize certain elements. The material is transformed through her lens, taking something ordinary into something powerful. Now knowing a little more, what do you think is Iturbide saying about society through "El Jardinero"? Editor: That's a great point. It really reframes the work to consider the construction and social dimensions of the image, instead of simply accepting it as a portrait. Curator: Absolutely, seeing art in that way enhances our viewing experience, and enables us to explore our connection to society.

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