Ontwerp voor een zilveren blad, voor een theeservies (?) by Mathieu Lauweriks

Ontwerp voor een zilveren blad, voor een theeservies (?) 1911

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drawing, pencil

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pencil drawn

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drawing

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art-nouveau

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pencil sketch

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geometric

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pencil

Dimensions height 453 mm, width 568 mm

Curator: Right, let's look at this drawing by Mathieu Lauweriks. It’s entitled "Design for a silver tray, for a tea service (?)", created around 1911. It's primarily pencil on paper. What strikes you initially? Editor: Hmm, intricate! It feels almost like a blueprint for a fantastical flower. There’s a surprising delicacy in those precisely drawn lines; imagine seeing tea things perched upon it. It has this lovely tension between functional object and sheer ornamentation. Curator: Exactly! Lauweriks was very interested in geometric systems and applied them rigorously across his designs. Notice the grid of circles and intersecting lines; it's a testament to Art Nouveau's integration of ornament and structure. The suggestion that this is for silver connects this intricate drawing to metal craftmanship. Editor: I get a whiff of mathematical poetry. How the practical need of a tray becomes an excuse to create something beautiful following rigorous mathematical proportions is wonderful. I wonder what the intended clientele might have thought about such precision being applied to their tea service? Curator: The intended clients may not even have seen this; it could well have been produced as part of Lauweriks’ broader exploration of applying mathematical systems in design. Considering his socialist leanings, I wonder if he intended his design for larger-scale production making a very controlled and mathematically strict aesthetic available more widely. The question mark in the title tells its own story too. Editor: A design with potential social implications—love that. It speaks of accessible beauty achieved through mathematical precision. But the drawing itself remains just that: a sketch. What's palpable here is the potential, that exciting 'what if?' that hums beneath the delicate graphite lines. Curator: And how that ‘what if’ intersects both the ideals of the era and Lauweriks’ design theories. So much captured in a design that might not have existed in reality. Editor: Beautifully said! And as a parting thought: next tea party, perhaps we bring rulers and protractors along? Just in case.

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