Aanbidding van Christus 1923

Curator: So, here we have Lodewijk Schelfhout’s "Adoration of Christ," created in 1923, currently residing here at the Rijksmuseum. It’s an etching printed with ink on paper, showcasing Schelfhout's interest in figuration through a narrative-art lens. Editor: My first impression? It's got this beautifully stark, almost austere quality to it. The ink work is so delicate, but there's a rawness to the scene, the donkey looks tired, the figures… pious but weary. Curator: It’s interesting you pick up on that rawness. The medieval influences are clear—Schelfhout seemed drawn to its particular kind of humble religiosity. Think about the early Renaissance depiction of similar themes. Editor: It’s in the lines, isn’t it? That very direct approach, without too much sentimentality. The figures have this angular quality, this stark geometry which contributes to the rough, almost woodcut feeling. Though it’s an etching. There is something very touching in how raw that depiction of adoration is. Curator: Exactly. And that’s a powerful choice, considering the art world's turn during the early 20th century, where industrialization was changing how artists interacted with religious themes. The work provides insight on faith during times of societal change. How does one grapple with modernity while keeping their values? Editor: I imagine Schelfhout felt it deeply. There is something so tangible about how he put those concerns onto paper. Almost as if one could reach out to this depiction of early-day's biblical scene. Curator: An interesting perspective. Thank you, Lodewijk Schelfhout, for prompting such discussion with the Adoration of Christ, the artist shows not only reverence but also artistic vision. Editor: This journey through history via an adoration is so compelling; Schelfhout certainly offered an invitation for thoughtful and creative conversation about faith during those societal moments, an impressive achievement that is worthy of remembrance.