Plate 38: Merganser with Two Other Waterfowl and a Garland of Melons and Gourds by Joris Hoefnagel

Plate 38: Merganser with Two Other Waterfowl and a Garland of Melons and Gourds c. 1575 - 1580

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drawing, coloured-pencil, watercolor

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drawing

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coloured-pencil

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figuration

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11_renaissance

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watercolor

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coloured pencil

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animal drawing portrait

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genre-painting

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watercolor

Dimensions page size (approximate): 14.3 x 18.4 cm (5 5/8 x 7 1/4 in.)

Curator: Here we have "Plate 38: Merganser with Two Other Waterfowl and a Garland of Melons and Gourds," dating back to the late 16th century. It's a watercolor and colored-pencil drawing by Joris Hoefnagel. The combination of detailed observation and symbolic elements is really striking. What catches your eye first? Editor: The arrangement itself is what grabs me – almost like a decorative panel, or a design for some elaborate object. It’s an odd combination of nature and formal composition, right? These realistically rendered birds juxtaposed with that...garland...it feels so contrived. Curator: Exactly! Hoefnagel, in his detailed depictions, gives us more than just the birds themselves. Notice the melon garland above? It signals abundance, harvest, and a specific kind of courtly display. Remember, these images were often circulated within elite circles. It is an odd combination but maybe meant to inspire abundance for the viewers. Editor: Yes, it speaks of a world of cultivated aesthetics, not raw nature. And it definitely served a social function, too. Were these types of studies bound and displayed? I could picture collectors showing this around to their rich pals. "Look what I have," and so on... Curator: Precisely. It was likely part of a more extensive collection, a symbol of the patron's erudition and taste, signaling their deep pockets. The garland itself with that combination of vibrant colors and symbolic richness – can be seen as a little world onto itself, offering clues about contemporary world views. Editor: It makes me wonder about the tension between the burgeoning scientific interest in documenting the natural world and these deeply ingrained traditions of symbolic representation. The realism clashes productively with those contrived embellishments. The combination underscores how intertwined those realms were during the Renaissance. It feels almost…transitional. Curator: It is transitional and it really illustrates the merging of science, art and social meaning. In many ways it perfectly encapsulates the Renaissance intellectual climate, it has these different layers, it encourages the eye to engage with something more profound. It shows just the state of the world during this era. Editor: Looking at this image from a distance it just feels so rich and intricate. The levels of symbolic thought that it had in mind, just is simply amazing.

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