print, engraving
portrait
baroque
line
history-painting
engraving
Dimensions: height 176 mm, width 122 mm
Copyright: Rijks Museum: Open Domain
This engraving, Icones Prophetarum Veteris Testamenti, was made in 1613 in Antwerp by Cornelis Galle I. It’s a title page, likely for a series of prints depicting Old Testament prophets. The image, filled with religious symbolism, would have played a role in shaping religious understanding and piety in its time. Let’s consider the visual codes at play here. Angels flank the central text, their presence emphasizing the divine nature of the prophecies. Above, the dove symbolizes the Holy Spirit, further reinforcing the religious context. Antwerp, then a major center of printing and Catholic Reformation, was deeply shaped by religious institutions. Galle's work aligns with the Church’s promotion of religious imagery. The title page format itself speaks to the importance of books and printed images in disseminating religious ideas. To understand this artwork better, one might research the Counter-Reformation in Antwerp, the Galle family's printing business, and the circulation of religious imagery in the 17th century. This helps us understand how art is always embedded in its social and institutional context.
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