Dimensions: 14 3/16 x 10 1/2 in. (36.04 x 26.67 cm) (plate)14 5/8 x 10 11/16 in. (37.15 x 27.15 cm) (sheet)
Copyright: Public Domain
Editor: This engraving, "Frederik de Vries," created in 1597 by Hendrick Goltzius, really stands out with its intricate details. The subject is this boy riding a rather large dog, and he’s even holding a bird! I am struck by the dramatic composition. How do you interpret this work? Curator: The composition compels us to examine the structural elements that define the overall image. Consider how Goltzius utilized the graphic qualities of engraving, particularly through strategic implementation of line work and texture. Observe the varied weights of the lines and cross-hatching; how do these technical choices influence the forms depicted and contribute to an overall sense of movement? Editor: I see it now! Especially in the dog's fur and the foliage in the background, the cross-hatching really creates a sense of depth and texture. It almost looks like he’s creating a range of grays through these lines. Curator: Precisely. It showcases the artist's remarkable technical skill. Examine the figure's placement against the backdrop. Note the visual rhythm that is established; how do the curves in the dog and figure create a visual balance with the sharper lines found in the foliage? How does that contribute to a formal assessment of the piece? Editor: So, you're focusing more on how the techniques and arrangement create meaning, not necessarily what the image is ‘about’? Curator: Exactly. Semiotics enable one to interpret this work and appreciate the craftsmanship that gives structure to the artwork's overall appearance. We are decoding the artwork through close visual analysis and theoretical engagement. Editor: I learned a lot today about focusing on the "how" not just the "what" of a piece! Thanks! Curator: Likewise, your astute observations allowed me to consider new connections within the visual structure.
Young Frederik de Vries lived with Hendrick Goltzius while his father, painter Dirck de Vries, was away working in Venice. It was almost unheard of at the time for a child to receive his own portrait, but Goltzius wanted to make this for Frederik's father. The print portrays the boy in the heroic pose of a falconer, a dove as his raptor. The dog, engraved with extraordinary detail, is Goltzius's own beloved spaniel. This level of precision was all the more remarkable, because Goltzius, at about a year old, burned his hands, causing his right hand to become disfigured.
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