Hunting Coat c. 1750

Editor: Here we have a hunting coat made around 1750 by the Innu, also known as the Naskapi people. It's made from woven textile. The delicate red linework against the pale fabric gives it such a quiet, dignified presence. What do you see in this piece? Curator: What I see is a powerful act of cultural preservation and resistance. This coat isn't just clothing; it’s a statement. Consider the context: mid-18th century. Indigenous communities across North America were facing increasing colonial pressure. What do you think it meant for the Innu to create and wear something like this? Editor: Well, the patterns almost look…European? Is that intentional? Curator: Exactly. Scholars argue that the Innu actively negotiated their identity through their clothing. The geometric patterns might reflect introduced European motifs, but adapted and re-contextualized within an Innu worldview. It speaks to a complex relationship of influence, adaptation, and resilience. Does seeing that shift how you understand the coat’s quiet dignity? Editor: It does! I initially saw the coat as something very insular, about a single culture. Now I see it as evidence of cultural dialogue. It represents how the Innu were engaging with the outside world while maintaining their own distinct identity. Curator: Precisely! And by understanding this dialogue, we challenge simplistic narratives of colonization and recognize Indigenous agency. So, what’s your takeaway from this piece now? Editor: I now see it as less about the visual aspect and more about what it meant for a whole group of people during enormous change. Curator: And perhaps that meaning continues to evolve with each viewing. Editor: Absolutely, it’s really broadened my understanding. Thanks so much!