Postzegelbevochtiger gebruikt door Dr. W. Drees by Anonymous

Postzegelbevochtiger gebruikt door Dr. W. Drees c. 1900 - 1910

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found-object, glass, sculpture

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sculpture

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found-object

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glass

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sculpture

Dimensions: height 4 cm, width 7.5 cm, depth 4 cm

Copyright: Rijks Museum: Open Domain

Curator: Here we have an unusual little artwork— a "Postzegelbevochtiger gebruikt door Dr. W. Drees," dating from around 1900 to 1910. It's located here at the Rijksmuseum. Editor: Well, first glance... it's deceptive. It appears so simple, a geometric kind of solid ice cube, yet... what *is* it? There's something about its solidity that intrigues. The light refracting, all those edges... like a philosopher's paperweight. Curator: Precisely. In essence, it is a found object, made of glass, repurposed into a sculpture. It's the stamp moistener used by Dr. W. Drees, likely to be Willem Drees, a significant figure in Dutch politics, especially post-World War II. This was probably an ordinary desk item refashioned. Editor: Ah, a glimpse into the quotidian. A mundane tool elevated by its connection to someone who shaped history! Makes me think about all the unexamined objects that witness important events. Curator: Indeed. Think about the tactile memory it holds: the repeated action of moistening stamps to send letters carrying weighty political or personal correspondence. The coolness of the glass in hand, the moisture, almost like ritual. Editor: Absolutely. It also resonates with a subtle statement about value and labor. This object implies so many hand-delivered messages when digital is everything. How physical, even intimate! Like each letter carrying the essence of intention. The glass reminds us also of fragility, yet its very solid existence perseveres in time. Curator: Exactly, that intersection of the personal and the political. I find that objects associated with powerful individuals gain a strange aura over time. They transform into reliquaries of sorts. Editor: I completely agree. It has a melancholy beauty, it does, doesn't it? A reminder that even great figures are grounded by the need to lick stamps and pay the bills. Curator: The ordinary within the extraordinary. Yes, an everyday tool offering an eloquent and surprisingly intimate portrait. Editor: What a quiet echo in glass.

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