Park aan het water by Kees Stoop

Park aan het water c. 1944 - 1990

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drawing, print, etching, graphite

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drawing

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print

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etching

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landscape

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graphite

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park

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monochrome

Dimensions height 175 mm, width 232 mm, height 125 mm, width 177 mm

Curator: Here we have Kees Stoop’s “Park aan het water,” a drawing and etching, dating circa 1944-1990. Editor: My initial impression is of a quietly somber, almost melancholic landscape. The monochrome palette and delicate lines evoke a sense of stillness. Curator: Indeed. Stoop’s choice of etching, combined with graphite, grants us access to a textured experience, wouldn’t you say? The intricate web of lines defines the forms of the trees and suggests the rippling surface of the water. The balance of light and shadow creates depth. Editor: I’d say that the park scene is a popular subject, reflecting the democratization of leisure and public space during that time. The deliberate placement of these elements serves, not just a visual but a socio-political purpose. Was Stoop making any comments on the evolving public life? Curator: One might infer social commentary from the artist's framing; however, his interest seems to lie more profoundly in the orchestration of line, form, and tonality, using these aspects to create a cohesive, visual experience, almost like a poem. Editor: Perhaps, but I can't help but think about the cultural function of such imagery. The creation and display of parks—particularly following the world wars—became ways for the society to imagine regeneration and renewal after a dark period in world history. What was his context, did it push Stoop into focusing on such peaceful imagery? Curator: I am compelled by his formal manipulation. I observe how the careful arrangement of light and shadow, coupled with his refined line work, imbues the work with a restrained aesthetic, transcending temporal and immediate contexts. Editor: Maybe. It strikes me as remarkable that a scene so apparently ordinary and pastoral contains within it such depths of socio-historical importance. Curator: Yes, I perceive the historical viewpoint. While I appreciate your perspective, I must emphasize that, beyond social context, lies an undeniable composition structure in Stoop's artistic creation. It truly reveals a great formal acuity.

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