Brief aan Nicolaas Listingh by Willem van Outhoorn

Brief aan Nicolaas Listingh Possibly 1694

0:00
0:00

drawing, paper, ink, pen

# 

drawing

# 

aged paper

# 

toned paper

# 

dutch-golden-age

# 

hand drawn type

# 

paper

# 

personal sketchbook

# 

ink

# 

hand-drawn typeface

# 

ink drawing experimentation

# 

pen-ink sketch

# 

pen work

# 

sketchbook drawing

# 

pen

# 

sketchbook art

# 

calligraphy

Curator: So here we have "Brief aan Nicolaas Listingh," a letter likely from 1694, penned by Willem van Outhoorn. It's ink on paper. Editor: It gives the impression of peering into someone's personal correspondence. It’s cool that this letter looks so different from our emails and texts! What strikes you about it? Curator: What I see here isn't just a letter, but a glimpse into the power structures and social relations of the Dutch Golden Age. Van Outhoorn was a Governor-General of the Dutch East India Company. A letter like this makes me consider questions of colonialism and the role of personal communication in maintaining distant power. What does it mean to be communicating across vast distances and cultures? Editor: That's fascinating! I was just thinking about the beautiful calligraphy. Curator: Yes, the calligraphy is remarkable! But let's not detach the form from the content. How might the deliberate elegance of the script connect to the sender's authority and social standing? Consider who Nicolaas Listingh might have been. Was he someone of equal power, or someone Van Outhoorn sought to influence? Editor: I didn’t think about it that way… so the presentation of the letter could also be a statement about power. I see. Curator: Exactly! And the choice of language, the tone, all become tools within a specific socio-political context. This is a primary source ripe for deeper exploration! What do you think the references to trade could represent? Editor: Wow. I guess there’s much more than meets the eye! I will remember that and look at everything as cultural context, with all its possible underlying political meaning. Curator: Precisely! That is how an artwork earns its keep beyond its pure aesthetics.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.