Insertions into Ideological Circuits 2: Banknote Project by Cildo Meireles

Insertions into Ideological Circuits 2: Banknote Project 1970

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Copyright: © Cildo Meireles | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: This is Cildo Meireles's "Insertions into Ideological Circuits 2: Banknote Project." It appears to be a Brazilian banknote with a handwritten inscription. What symbols do you see in this piece? Curator: The banknote itself is a potent symbol of state power and economic control. The added inscription, "Quem matou Herzog?" or "Who killed Herzog?" transforms it into a vehicle of dissent. Herzog's death under the military dictatorship is a powerful cultural memory. Editor: So the value of the note is subverted by the text? Curator: Precisely. It disrupts the intended message of stability and authority, injecting a painful question into the everyday circulation of money. Each bill becomes a carrier of truth, a subtle yet persistent act of resistance. Editor: It makes you think about how objects can carry hidden meanings. Curator: Indeed. Ordinary objects can become powerful conduits of cultural memory and political commentary. It's a reminder that symbols are never neutral.

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tate 5 months ago
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http://www.tate.org.uk/art/artworks/meireles-insertions-into-ideological-circuits-2-banknote-project-t12514

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tate 5 months ago
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Meireles started this project during the military dictatorship in Brazil. In the face of strict state censorship he stamped messages calling for democracy and political freedom on banknotes and returned them into circulation. This work relates to The Coca-Cola Project. The artist is happy for others to participate in this project, stamping their own messages on the banknotes of any country. For Meireles, the notes displayed here are only documentation. The work operates when the notes are used as currency. Gallery label, August 2020