VI 1971

Editor: This is Richard Smith's "VI" from the Tate Collections. The dimensions are roughly 585 by 587 millimeters. The etching reminds me a little of grass. What do you see in this piece? Curator: I'm drawn to the labor evident in the repetitive marks. Consider the social context of printmaking—its accessibility versus painting. Smith is questioning the hierarchy, using industrial processes to create 'high art.' Editor: So, the choice of etching itself challenges the traditional value placed on painting? Curator: Precisely. Smith is exploring the means of production and consumption inherent in art making. It makes you consider the materials themselves, doesn't it? Editor: I hadn't thought about it that way, but I see it now. Thanks! Curator: It's all about materiality! My pleasure.