Joachim de Châteauvieux, 1545-1615, Count of Conflans c. 17th century

This bronze medal depicts Joachim de Châteauvieux, Count of Conflans. Though the artist is unknown, it was produced sometime around the early 17th century. Such portrait medals were popular in Europe at this time, reflecting a growing interest in individual identity and the celebration of secular figures. As a Count, Joachim held a position of power, and his image here projects authority through his stern expression and elegant dress. The inscription reinforces his identity and status. Consider the social context: the European Renaissance saw a flourishing of art patronage, with wealthy individuals and families commissioning works to enhance their prestige. Medals like this would have circulated among a social elite, reinforcing social hierarchies. By studying similar objects, family records, and historical accounts, we can gain insight into the culture that produced this image and the social function it served. Art history is about reconstructing that world.