drawing, graphic-art, ink
drawing
graphic-art
arts-&-crafts-movement
old engraving style
figuration
ink
linocut print
ink drawing experimentation
geometric
line
symbolism
Dimensions height 502 mm, width 420 mm
Editor: We’re looking at "Ornamentaal ontwerp met leeuwen," an ornamental design with lions, created sometime between 1874 and 1945 by Carel Adolph Lion Cachet. It’s an ink drawing, quite striking in its bold, graphic style. The heraldic lions, the crown… it all feels very… regal. What’s your take? Curator: Regal indeed! But I see more than just royalty here. Those fierce lions aren’t simply decorative; they're practically roaring off the page! Look at the contrast between the solid blacks and the untouched paper. Do you feel the power in that simplicity? It reminds me of woodblock prints, ancient and potent, echoing symbols of courage, pride… maybe even a touch of ferocious independence. What do you suppose Cachet was trying to convey by combining these strong animals with geometric structure and symbols of power? Editor: I guess the crown implies nobility and the geometric shapes suggest a conscious artistic arrangement of all elements within. Almost like putting wild power under symbolic, creative constraint? Curator: Precisely! And notice how it teeters on the edge of abstraction? The Arts and Crafts movement, with its stylized natural forms and celebration of handcrafted techniques, really freed artists to explore those boundaries. Did Cachet truly mean to depict lions? Or rather, lion-ness? It begs the question, doesn't it? Perhaps there is a part of ourselves Cachet allows us to observe: the potential for something both strong and structured? What are you left with? Editor: Definitely thinking about the tension between freedom and control. I appreciate the focus on not only the subject matter but on *how* it’s represented, it’s pushing beyond mere depiction. Curator: Exactly. It's the 'how' that sings. Cachet invites us to witness strength, perhaps a certain boldness or even an elegance – trapped playfully inside those stark lines. I, personally, will continue thinking about that fine balance between form and beast for days to come...
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