Jan Brandes made this sketch titled 'Chinese Ceremony and Wayang' as part of his journey to the East Indies between 1785 and 1787. As a clergyman, artist, and scholar, Brandes documented various aspects of life in the region under Dutch colonial rule. These sketches offer a rare glimpse into the cultural performances and ceremonies as observed through the eyes of a European during a time of burgeoning colonial power. Wayang, a traditional form of puppet theater, is more than mere entertainment; it’s a profound narrative form deeply entrenched in the cultural and spiritual life in Indonesia. In the context of colonial dynamics, Brandes' drawings become complex documents. They reflect the inherent power imbalances and the gaze of an outsider attempting to capture and understand unfamiliar cultural practices. But they also serve as historical records, preserving aspects of these traditions for future generations. How do we balance the appreciation of such records with a critical awareness of their colonial context?