Portret van Johannes Marius van Stipriaan Luiscius 1822 - 1845
drawing, pencil
portrait
pencil drawn
drawing
light pencil work
pencil sketch
portrait reference
pencil drawing
romanticism
pencil
portrait drawing
academic-art
realism
Dimensions height 400 mm, width 296 mm
Curator: Here we have a pencil drawing entitled "Portret van Johannes Marius van Stipriaan Luiscius." It's housed right here at the Rijksmuseum and was created sometime between 1822 and 1845 by Franciscus Bernardus Waanders. What’s your initial take? Editor: It has the feel of a sepia-toned photograph, even though it’s rendered by hand. A touch melancholic, wouldn’t you agree? He looks like a man caught in the amber of his own seriousness. Curator: It’s fascinating you mention the photograph because drawings like these, with their exacting detail, were often precursors to photography becoming widely available. It served a vital need for portraits, to capture likeness and…social standing, I suppose. The starkness highlights that. Editor: The symbols here are subtle, yet potent. The man's tailored suit suggests professional success. The high collar alludes to someone important, but look at the gentle curves rendered with pencil! How deliberate, to soften a possibly rigid individual. A very canny study. Curator: I find myself thinking about what a different world he occupied. The lack of background clutter forces us to concentrate on his person. It’s a romantic realism. An accurate depiction but perhaps softened to convey the dignity expected of portraiture at that time. Editor: Precisely! Academic art, yes, but also tinged with the romantic ideals of the era. Waanders seemed to understand the psychology of image-making implicitly. The act of drawing imprints intimacy on what could have been merely documentary. The artist creates meaning while also translating life. Curator: A meaning certainly open to interpretation. Perhaps what's most beautiful is its fragility—that light pencil work. What has endured over nearly two centuries captures a moment and hints at timeless universals of human dignity. Editor: Indeed. I’m now thinking not about status, but something universal—a person gazing from their time to ours. A pencil drawing that can transport, so wonderful!
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