Lady Tamamushi raising a fan target c. 1681 - 1698

Sugimura Jihei created this woodblock print, "Lady Tamamushi raising a fan target", in Japan during the late 17th century. The scene of elegance and leisure offers a glimpse into the floating world of the Edo period. The image presents us with a world of elaborate dress and playful pastimes on pleasure boats, reflecting the cultural and economic vibrancy of the era. Consider the strict social hierarchy of the time, which confined women to the domestic sphere and pleasure quarters. The fact that they were visible in art at all speaks volumes. Were these images simply confirming the status quo, or were they subtly challenging it? Was it a critique of the institutions of art? To understand this print fully, we must delve into the archives, exploring the literature, theater, and social commentaries of the Edo period. Only then can we grasp the complex interplay between art, society, and the ever-elusive pursuit of pleasure.