Ushiwakamaru and Benkei fighting on Gojo Bridge c. 1767
landscape illustration sketch
toned paper
blue ink drawing
childish illustration
asian-art
japan
personal sketchbook
linocut print
wedding around the world
ink drawing experimentation
illustrative and welcoming
watercolour illustration
Suzuki Harunobu’s “Ushiwakamaru and Benkei fighting on Gojo Bridge” was created in the mid-18th century using woodblock printing, a process known as *ukiyo-e*. This wasn't just a simple reproduction method, it was a sophisticated craft. An artist would create the design, which was then transferred and carved into a woodblock, usually cherry. Ink was then applied, and the image printed onto paper, with different blocks used for each color. The flat planes and clear outlines showcase the inherent qualities of the woodblock technique. Beyond the process, the print is also socially significant. *Ukiyo-e* prints were part of a burgeoning consumer culture, catering to a broad audience, not just the elite. They depicted popular stories and actors, bringing art into the realm of everyday life. Harunobu’s print, with its dynamic scene and skilled execution, exemplifies how this medium blurred the lines between commercial product and high art.
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