Stars and Clouds Encircling a Crown [reverse] 1642

Curator: Jean Darmand, called Lorfelin, crafted this bronze medal, "Stars and Clouds Encircling a Crown," around 1642. The back features a complex allegorical relief. Editor: The first thing that strikes me is the incredible detail achieved in such a small space and its matte material look gives it a unique touch. The interplay between the crown above and the flowers below creates this lovely juxtaposition, doesn’t it? Curator: Absolutely, there is so much going on here, on one side and when taking into account the historical context it's quite revealing, indeed. Notice the inscription "NON EST MORTALE QUOD OPTO” along the edge which means “What I aspire to is not mortal”. The crown represents celestial authority. The clouds filled with stars suggest divine power, while the flowers root this ambition in the earthly realm. One is tempted to speculate on whose ambitions are portrayed here. Editor: Right. What processes were involved to create the fine details, I wonder. Bronze casting is labor-intensive but could it also be manually engraved? Also I am interested on how its function changes how we look at the imagery in a new light - medals were commissioned objects often aimed for collecting and gifting! I see this medal, therefore, as both an object of political, social and economical importance in the society of the time, too! Curator: Exactly, the materiality reveals so much. It invites reflections on the complex intersection between aristocratic power, gender roles, and the role of the court and the artist within the artistic sphere of seventeenth century, as we view it in a larger cultural perspective. These works of art were deeply intertwined in the representation of power and social structures. The materials speak of status and authority. Editor: That’s such a good point! It is hard for us now to underestimate the role of such an art piece like this! To think such an unassuming material such as bronze holds within its molecular makeup, the history and meaning that you explain. The relationship between maker, patron, and art world audiences is visible when taking a look into its process of manufacturing! Curator: Well said. I agree, every layer informs the others here. Thank you, that was indeed enlightening. Editor: Likewise. Looking at it with your reading in mind really highlighted its relevance.