Gaspar de Guzman, Count of Olivares and Duke of Sanlucar 18th-19th century

Curator: This is Francisco Goya's "Gaspar de Guzman, Count of Olivares and Duke of Sanlucar," residing here at Harvard Art Museums. The way the composition leads the eye upward creates a sense of authority. Editor: It's interesting how Goya uses line and shadow to define the texture of the horse's coat and the Count’s attire. Curator: Indeed, Goya's masterful use of etching allows for a delicate yet powerful representation. The Count's pose, pointing onward, and the horse's rearing stance are carefully designed. Editor: And the landscape in the background feels secondary, almost like a stage set for the Count and his horse, drawing focus to their materiality. Curator: Precisely. The dynamic composition gives the portrait a sense of drama, elevating the subject. Editor: I am captivated by how the printmaking process and skillful labor are showcased here in its rendering of aristocratic power.