From the Girls and Children series (N64) promoting Virginia Brights Cigarettes for Allen & Ginter brand tobacco products by Allen & Ginter

From the Girls and Children series (N64) promoting Virginia Brights Cigarettes for Allen & Ginter brand tobacco products 1886

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drawing, coloured-pencil, print, watercolor

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portrait

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drawing

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coloured-pencil

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print

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watercolor

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coloured pencil

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genre-painting

Dimensions: Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm)

Copyright: Public Domain

Curator: This piece, dating from 1886, belongs to a series produced by Allen & Ginter to promote their Virginia Brights Cigarettes. It is part of a set titled "From the Girls and Children series," and examples are watercolor, colored pencil, and print. Editor: It's startling how this image uses this innocent girl to hawk cigarettes! Compositionally, there’s something quite unsettling about the color balance; the subdued hues lend a slightly macabre feel. Curator: Exactly. These cards, found within cigarette packs, reveal a specific strategy to normalize smoking through associations with purity and innocence, embedding tobacco into the domestic sphere and, more problematically, near childhood. Editor: The artist certainly has command of their materials! Look at the subtle watercolor gradients that define the girl's garments. Note the almost photorealistic rendering. Yet it contrasts jarringly with the implied message. Curator: These trade cards offered visual spectacle but simultaneously perpetuated cultural values tied to consumerism and gender roles. They functioned within a system, reinforcing class structure, leisure, and power. Editor: The gaze is also curious. The little girl looks at the audience almost knowingly. Her pose—utensils held aloft as if conducting some sinister ritual—heightens the sense of disquiet. There's a palpable tension between technique and subject. Curator: Considering that, the piece is more than a promotional trinket; it's a artifact embedded within a historical framework revealing how children became tools for tobacco companies during the Victorian era and their subsequent influences. Editor: I still fixate on her face; the artist created a kind of haunting archetype of the commodity that challenges beauty, innocence and its dark association with deadly addictions. This piece forces one to grapple with complex themes—definitely not just an antiquated commercial product.

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