A Seance of Magnetism 1868

Curator: This is Honoré Daumier's "A Séance of Magnetism." Daumier, who lived from 1808 to 1879, was a master of social commentary through lithography. Editor: The mood feels immediately satirical. I mean, look at the exaggerated features and the theatrical posture of the standing figure. It’s kind of hilarious. Curator: It's a commentary on European powers attempting to influence the "sick man of Europe"—the Ottoman Empire—during the "Eastern Question." Europe, personified by the standing woman, tries to "magnetize" or control the ailing Ottoman Empire. Editor: Right, so it's a critique of power dynamics, veiled as some kind of absurd, mystic ritual. The contrast is striking; the ethereal European figure versus the slumped, almost grotesque portrayal of the Ottoman Empire. Curator: Precisely. Daumier often used caricature to expose political hypocrisy and social ills, and this lithograph is a prime example of his critical eye. Editor: Well, his sharp eye makes it clear, the whole thing feels like a charade. It makes me question who benefits from such "healing."