dé-finition/méthode #261: la peinture sort de sa réserve 1995

Claude Rutault’s 1995 installation, *dé-finition/méthode #261: la peinture sort de sa réserve,* is a conceptual artwork that explores the boundaries of art and its display. The piece depicts a gallery setting with a single pink wall and a white tiled floor, where paintings are hung on the walls and a canvas is presented on an easel, inviting viewers to consider how paintings are framed and presented in a traditional exhibition space. This work is a characteristic example of Rutault's concept-driven art, often using the very act of exhibition as the subject matter.