Montage van elf gezichten op Dinant, andere steden in de Ardennen, mensen in een bos en een rivier before 1895

This is Edouard Adelot's "Montage of eleven faces on Dinant, other cities in the Ardennes, people in a forest and a river," its date is unknown. Look closely to observe the arrangement of various photographic images. Adelot's work is a collage of black and white photographs assembled on a single page, creating a montage-like effect. The composition lacks a central focus, instead fragmenting the viewer's gaze across numerous scenes and perspectives. The use of black and white photography flattens the images and creates a sense of uniformity. The varying sizes and orientations of each photograph introduces a spatial tension, challenging traditional notions of perspective and pictorial space. This piece destabilizes conventional modes of representation by assembling multiple viewpoints in a non-hierarchical manner. The artist invites the viewer to consider how we construct meaning through visual elements and cultural codes. By breaking with established norms, Adelot engages with new ways of thinking about space, perception, and representation.