Leslie Carter as Zaza, from the Actresses series (T1), distributed by the American Tobacco Co. to promote Turkish Trophies Cigarettes by Frederick Moladore Spiegle

Leslie Carter as Zaza, from the Actresses series (T1), distributed by the American Tobacco Co. to promote Turkish Trophies Cigarettes 1900

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drawing, print, gouache

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portrait

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gouache

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drawing

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art-nouveau

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print

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gouache

Dimensions: Sheet: 8 1/4 x 6 5/16 in. (21 x 16 cm)

Copyright: Public Domain

Curator: Here we have a piece called “Leslie Carter as Zaza”, a promotional print distributed by the American Tobacco Company around 1900, from their “Actresses” series. It depicts the actress in costume. Editor: It has a charming, slightly faded elegance. The color palette is restrained but lively, particularly that vibrant red skirt against the muted background. The texture of the gouache seems almost velvety. Curator: Exactly. What's intriguing here is the commodification of the female image—Leslie Carter's persona used to sell Turkish Trophies cigarettes. Consider the context: The Gilded Age, evolving social norms, and the rise of celebrity culture. Editor: And it is literally made out of mass-produced images – this process firmly grounds “high art” with commerce. The material is paper; think about how it was produced, shipped, and distributed. Labor, exploitation. This piece exposes those power dynamics at play. Curator: Absolutely. We can unpack how women were simultaneously gaining visibility and being exploited through their representation. Carter, as a stage star, embodied both power and vulnerability in a society grappling with changing gender roles. It invites us to reflect on how celebrity and consumer culture shaped identity. Editor: I’m also considering the implied labor embedded within the materiality itself. The gouache pigment had to be sourced and ground; the paper pulp had to be processed from raw materials and turned into a medium for distribution. This simple picture involves many unseen hands. Curator: Right. It’s a multi-layered snapshot into early advertising’s influence, women in entertainment, and the complex relationship between visibility and exploitation, all wrapped up in a simple, delicate image. Editor: This small advertisement offers a large framework for critically addressing production, commodity and consumption in early 20th-century material culture. Thanks for pulling out this image to think through.

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