Goldie Simpson, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes 1890

Editor: Here we have "Goldie Simpson, from the Actresses series," a print created around 1890 by Kinney Brothers. It looks like an albumen print photograph, probably made as a promotional item. The composition is striking – a figure centered and framed within this elaborate chair, but there's almost a tension in her posture, wouldn’t you agree? What draws your eye in this composition? Curator: I find the photograph primarily compelling as a study in contrasts. The ornate detail of the chair opposes the plain background. The delicate lace of the sleeves contrasts with the severity of her dark dress. Furthermore, the stark sepia tones give an austere feel to what would otherwise be a flamboyant image. What do you make of the interplay between surface and depth, particularly with the handling of light and shadow? Editor: I see what you mean about the interplay! It's interesting how the shallow depth of field keeps the background almost nonexistent, which forces the viewer to focus solely on the subject and her immediate surroundings. Is that deliberate, do you think? Curator: The limited depth certainly directs our focus, but also remember that depth-of-field control in photography was very different at that time. The lens technology would have dictated some of that. Consider, instead, how the lighting accentuates specific textures and patterns, thereby influencing our experience of the subject. What visual cues do you observe relating to line, form and texture in relation to how she’s styled in her costume and pose? Editor: Good point! I hadn’t thought of that. It's like the whole picture, chair included, is an extension of the fabrics used in her clothing, everything plays into how those materials are lit and presented. This makes me rethink my initial feeling about tension and more toward how that ornateness supports the performance of femininity from this period. Curator: Precisely. The photograph offers a glimpse into late 19th-century aesthetics. Editor: I never would have thought to read that much into this photograph without your perspective. It highlights how the formal elements of art influence the impression we form of it, or even vice versa.