“- Sir, you who are so good, can't you get me small position?.... I am able to furnish you the best references on my honesty.... - You have always remained honest?... But in that case, my worthy man, why the devil have you come to me? You ought to know that I concentrate all my business and all my charities on this highly interesting class of freed convicts! Why don't you go and steal something or at least kill a bit... and once you are out of Toulon-prison, come and see me... I'll be delighted to offer you a helping hand!,” plate 19 from Les Philantropes Du Jour 1845

This lithograph is plate 19 from “Les Philantropes Du Jour” by Honoré Daumier. The artwork reflects the social and political climate of 19th-century France, marked by stark class divisions and the rise of industrial capitalism. Daumier uses satire to critique the performative philanthropy of the upper class. In the image, a well-dressed man denies a poor man's request for employment, suggesting he commit a crime instead to qualify for assistance as a "freed convict." This exposes the hypocrisy and self-interest underlying supposed acts of charity. Daumier doesn't simply depict a moment of social commentary; he captures the emotional chasm between the privileged and the marginalized, revealing a society where genuine empathy is rare. Daumier challenges traditional representations of charity, offering an alternative narrative that questions the motives and impact of philanthropic gestures. The artwork prompts viewers to reflect on the systemic inequalities that perpetuate poverty and the ethical responsibilities of those in power. It is a powerful reminder that charity, without justice, is merely a performance.