Traité de photographie stereoscopique : théorie et pratique 1892

Adolphe Louis Donnadieu’s “Traité de photographie stereoscopique: théorie et pratique” published in 1892, stands as a testament to the burgeoning fascination with photography in late 19th-century France. The industrial revolution was in full swing, radically altering societal structures and daily life, shaping new ways of seeing and representing the world. This treatise emerges as a product of its time, reflecting not only the technical aspects of stereoscopic photography, but also the cultural values and aspirations of the era. The rise of photography as a medium coincided with increasing industrialization and colonialism, often used as a tool to document and promote Western dominance. How might Donnadieu’s guide reflect or challenge these power dynamics? What role does stereoscopic photography play in constructing perceptions of reality? Consider how the pursuit of scientific accuracy through photography intertwines with the social and political agendas of the time. It invites us to explore the intersections of science, technology, and representation in shaping identity and historical narratives.