The Poetess Ukon, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen) by Chōbunsai Eishi 鳥文斎栄之

The Poetess Ukon, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen) Possibly 1615 - 1868

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print, textile, woodblock-print

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portrait

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print

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asian-art

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textile

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ukiyo-e

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woodblock-print

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calligraphy

Dimensions: 24.7 × 18.5 cm (9 3/4 × 7 5/16 in.)

Copyright: Public Domain

Chōbunsai Eishi created this print of the poetess Ukon as part of a series called "The Thirty-six Immortal Women Poets." Made in Japan in the late 18th or early 19th century, this work reflects the revival of interest in classical Japanese literature and the canonization of female poets. Court culture valued women who were educated in the arts, and women produced much of Japan's early literature. Here, Ukon is shown holding a fan, wearing multiple layers of kimono, and surrounded by elegant fabrics. The print’s composition is divided in two: on the left side Ukon is depicted and on the right side we can see her poem written in elegant calligraphy. This print is part of a genre of art called ukiyo-e, which served as a means to promote cultural ideals and social values. Historical sources and institutional records offer great insight into understanding how art reflects and shapes societal structures and cultural values.

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