Yoshitsune's Encounter with Princess Joruri, from "The Tale of Joruri in Twelve Episodes (Joruri Junidan Zoshi)" by Sugimura Jihei

Yoshitsune's Encounter with Princess Joruri, from "The Tale of Joruri in Twelve Episodes (Joruri Junidan Zoshi)" c. 1684 - 1704

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print, woodblock-print

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narrative-art

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print

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asian-art

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ukiyo-e

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woodblock-print

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genre-painting

Dimensions 30.2 × 57.3 cm

Curator: This intriguing woodblock print by Sugimura Jihei, circa 1684 to 1704, is currently held at the Art Institute of Chicago. It depicts a scene titled "Yoshitsune's Encounter with Princess Joruri, from "The Tale of Joruri in Twelve Episodes." Editor: The figures seem meticulously positioned in an intricate spatial framework. A somewhat theatrical arrangement; one's gaze dances across the flattened picture plane, never quite finding a resting place. Curator: Note the composition; the use of perspective and line directs the viewer through various interconnected spaces, both interior and exterior. It's a fascinating manipulation of space. Editor: Indeed. It's more than manipulation. Here, Yoshitsune’s story embodies sacrifice. His military garments stand out and seem representative of sacrifice in both love and war in medieval Japan. Even Joruri is set aside to preserve familial bonds. Curator: Absolutely. Jihei’s strategic deployment of line and the delicate variations in color block is quite striking. Observe the architectural partitions and their stark linear character against the detailed ornamentation and lavish patterning. The planes of spatial organization rely on a rigorous attention to detail and a keen understanding of compositional balance. Editor: And isn’t there a deeper resonance in the repetition of the geometric latticework? Those motifs resonate, not merely as visual elements but as signs pointing towards the intricate social structures within the narrative of the time. Almost cage-like, really. Curator: That resonates perfectly with this image’s layered narrative. The cultural echoes definitely inform the structural choices. This visual system doesn’t simply reproduce or decorate. It suggests, alludes, evokes a whole network of values. Editor: Very true. And through the artist’s precise methods of spatial orientation, these figures become something beyond character within a love story, offering enduring statements of a culture. Curator: Precisely. This image operates on dual levels, not only documenting narrative drama, but simultaneously structuring and organizing emotional response in the viewer. Editor: A final reflection would return us to the importance of cultural themes embedded in Japanese artistic and social development throughout history. Yoshitsune is still recalled. Curator: Yes, as the visual impact resonates even today! An enduring visual structure reflecting those deeper cultural elements in history.

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