print, textile, paper, photography
aged paper
book
textile
paper
photography
history-painting
Dimensions height 191 mm, width 125 mm, thickness 18 mm
Curator: The beauty of holding a book from 1872… it’s like holding time itself, don't you think? Editor: Absolutely! This is “The Ferrotype, and how to make it” by Edward M. Estabrooke, dating back to 1873. It's a printed book on textile. I'm immediately drawn to the typography and how aged the pages look, it makes you wonder who flipped through this before. What captures your attention when you look at it? Curator: Oh, the ghosts of hands past definitely linger. But look closer… a ferrotype? Ever made one? Think tintypes – photographs developed directly onto a metal sheet. It was quick, cheap, almost democratic in its accessibility. Now, imagine this book being the DIY manual for that entire process! A secret whispered, if you will, promising to unlock a new form of expression. What does that say to you, about the cultural drive to capture the human experience? Editor: It’s pretty amazing that a single book could encapsulate such a shift in photographic practices! I hadn't considered the "democratic" element before. Makes you wonder who picked this up–a struggling artist? An ambitious inventor? Curator: Precisely! Someone brimming with the desire to make pictures. Consider it— photography democratized but bound within alchemical mysteries. Each turn of a page unleashing latent potential. Did you also notice those simple flourishes above and below the text? Do they mirror, in a strange way, the careful gestures made while crafting a ferrotype? Editor: Oh, that's a nice observation, now that you mention it, it almost mimics the precise movement one must do to make those pictures. This really reshapes how I looked at the artwork at first glance. I am quite intrigued now. Curator: Exactly! See, books aren't just filled with words, are they? Sometimes, it's the echoes of a cultural fever dream. The beautiful whisper of time lived, and time yet to come.
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