Relief painting #19x 1961

Editor: We're looking at Adolf Fleischmann's "Relief painting #19x" from 1961. It's a mixed-media relief, and my first impression is that it resembles a city plan seen from above, yet feels oddly calming. What catches your eye? Curator: Calm is an interesting observation. To me, it's more of a controlled chaos, like a jazzy improvisation with rigid blocks and playful colors trying to break free from the lines. The parallel lines remind me of musical staves, with the rectangles acting as notes. Don't you find the contrasting colors – those pops of yellow, orange, and even black – creating a rhythm of their own against the grey? Editor: I see what you mean about the colors acting like notes. The lines seemed static at first, but you're right, the colours introduce a tempo. But where does the 'relief' part come in? I'm not seeing an obvious 3D effect. Curator: That’s a good question. Look closely—the different segments are raised ever so slightly. Fleischmann creates a subtle shadow play, a gentle depth that shifts with the light. He invites us to experience the piece not just visually, but also…almost tangibly. Do you think knowing this adds another layer to your "city plan" analogy? Editor: Absolutely! It's like those slightly raised tactile maps designed for visually impaired people. The city isn't just seen, but felt. I’m starting to appreciate the playful touch in something seemingly so formal. Curator: Precisely! It's this tension, the playful rigour, that makes it so captivating. Fleischmann really invites you to explore. Editor: This was truly eye-opening. I’ll never look at geometric abstraction the same way again. Curator: Likewise, your initial feeling of calmness provided an entry point I hadn't fully considered!