's-Hertogenbosch, vroedschapspenning op de vrede van Aken 1748

This medal, made by Theodorus Everardus van Berckel, commemorates the Peace of Aachen. One side depicts Mars, Roman god of war, with a burning torch, poised above a townscape; above him is inscribed "Minacia Martis," the threats of Mars. The torch is a fascinating symbol. In antiquity, it signified life, regeneration, and hope, and was commonly used in wedding ceremonies. Yet here, in Mars' hand, it represents destruction and conflict. This duality reminds me of similar shifts in other symbols throughout history. Consider the serpent: once a symbol of healing and wisdom, it later became associated with temptation and evil. The medal’s other face presents us with Pax, the goddess of peace, holding an olive branch and cornucopia, symbols of peace and prosperity. Here, we witness a transformation, the torch of war subdued, replaced by emblems of abundance and tranquility. The images engage us on a visceral level, tapping into collective memories of war and peace, hope and destruction. The continuous evolution and reinvention of symbols speak to the enduring human struggle to understand and shape our world.