Openen van de Westfriese muntbus te Medemblik by Theunis Kist

Openen van de Westfriese muntbus te Medemblik 1746

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print, metal, relief, engraving

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medal

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dutch-golden-age

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print

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metal

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relief

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history-painting

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engraving

Dimensions: diameter 5 cm, weight 46.52 gr

Copyright: Rijks Museum: Open Domain

Curator: I see faces in this little landscape, carved in monochrome, peering out from what looks like a silver coin or medallion. It feels archaic and surprisingly intricate for such a small format. Editor: Indeed! This is an engraving by Theunis Kist, made in 1746, commemorating the opening of the West Frisian mint office in Medemblik. What we're looking at is more accurately described as a metal relief print rather than simply an engraving. Curator: Oh, a history lesson in miniature! I am intrigued by the seated woman on the front side, reminiscent of classical depictions of abundance, presiding perhaps over West Friesland itself, holding the coat-of-arms. And a cherub…it all smacks of significant symbolism. Editor: Spot on! The female figure represents the "Virgin" of Medemblik and symbolizes security. You are astute to notice the symbols that underpin the narrative – she embodies prosperity and prudent financial management, while the child with a mallet driving the pile evokes ideas of construction and investment. Curator: That connects wonderfully to the image on the reverse side—the assembly of seated figures gathered around the table. What kind of meeting might they have been having? Editor: Presumably, a meeting of regional West Frisian moneyers and government types to oversee the opening of this very office. Curator: You know, knowing that this scene represents the official opening helps. I kept feeling like something more personal was in progress. A game? A judgment? Editor: A judgement of coin! Maybe the relief can tell us that good coin equals good governance and regional stability. As with any object of cultural significance, the piece invites speculation – perhaps the coin’s owner would have pondered these connections. It presents itself like a memento. Curator: And perhaps a touchstone for conversations like these, bridging eras, no? I wonder who carried it. Editor: Precisely! Its true meaning is perhaps completed by us, still interpreting its symbols centuries on.

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