Scarf c. mid 20th century

This is a Scarf, made by Dong and held at the Minneapolis Institute of Art. Observe how the geometric patterns are rendered with precise detail. The structure of the piece is defined by a series of concentric squares, each delineated by complex arrangements of motifs. The limited colour palette of earthy browns, blacks, and muted yellows enhances the formality of the composition, and draws attention to the woven texture. This rigid composition, combined with the textile medium, sets up a dialogue between order and texture. The repeated patterns could be seen as a language, where each motif functions as a signifier, contributing to an overarching cultural narrative. The interplay between surface ornamentation and the inherent structure suggests an attempt to reconcile decorative arts with the conceptual rigour of geometric abstraction. Consider, as you view it, how its formal qualities not only provide aesthetic pleasure but also engage with a long history of cultural expression and artistic innovation.