Dimensions: displayed: 3850 x 8200 x 4650 mm
Copyright: © Bill Woodrow | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: This is Bill Woodrow's "Elephant," a powerful construction from found materials. I’m struck by the contrast between its playful appearance and somber message. Editor: The composition certainly grabs your attention, doesn't it? The elephant's head and trunk descending towards a circle of car doors—a striking juxtaposition of shapes and textures. Curator: Woodrow often used discarded objects to address themes of consumerism, waste, and global politics. The maps with missing continents hint at colonial exploitation and environmental damage. Editor: Yes, the use of maps as the elephant’s ears immediately suggests themes of geography and power. The car doors forming a circle introduce a ritualistic element. Curator: Absolutely. The circle perhaps represents a cycle of destruction or, conversely, a symbolic attempt at repair. The elephant itself, a symbol of wisdom and memory, seems to mourn the losses. Editor: I find the materiality fascinating. The rough edges and varied colors of the doors, juxtaposed with the smooth, almost cartoonish trunk, create a visual tension that’s hard to ignore. Curator: It really is a complex statement about our relationship with the environment and the legacies of the past. Editor: Indeed. A compelling exploration of form and meaning, inviting us to contemplate our role in shaping the world.
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Woodrow has commented: 'The head, mounted colonial fashion on the wall, was constructed around an ironing board because of its triangular shape and strong frame. I used the ear shape of some old wall maps of Africa and South America... The fact that they are third world continents soon became the point of the work. I thought of jungles, deserts, shanty towns, natural forces, technology, tribes, revolutions¿ This finally produced an elephant lifting an automatic weapon from a water hole, with the car doors I had found at a breaker''s yard forming its banks.' Gallery label, October 2000