About this artwork
Mae A. Clarke made this coverlet, of undated origin, with thread and textile. The piece embodies the convergence of artistic expression and social history. We see a handcrafted object, likely created within a domestic setting. How can we consider this coverlet as a response to its time? What historical forces shaped its creation? The United States, during Clarke’s lifetime, saw rapid industrialization, immigration and urbanization, but also the Arts and Crafts movement, a reaction to industrial production. This movement celebrated handcrafted objects and placed value on individual artistry, and can be seen in the coverlet, which is in sharp contrast to mass-produced goods. This piece can be read as a statement about the value of handmade goods in an increasingly industrialized society. The floral imagery is a common motif in domestic crafts, but it also speaks to a broader cultural interest in nature. To fully understand this coverlet, we might delve into archives, historical records, and studies of decorative arts. By doing so, we can gain a deeper insight into the coverlet's significance and the world in which it was made.
Artwork details
- Medium
- drawing, fibre-art, weaving, textile
- Dimensions
- overall: 54.3 x 46.7 cm (21 3/8 x 18 3/8 in.) Original IAD Object: 90" wide; 97 1/2" long
- Copyright
- National Gallery of Art: CC0 1.0
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About this artwork
Mae A. Clarke made this coverlet, of undated origin, with thread and textile. The piece embodies the convergence of artistic expression and social history. We see a handcrafted object, likely created within a domestic setting. How can we consider this coverlet as a response to its time? What historical forces shaped its creation? The United States, during Clarke’s lifetime, saw rapid industrialization, immigration and urbanization, but also the Arts and Crafts movement, a reaction to industrial production. This movement celebrated handcrafted objects and placed value on individual artistry, and can be seen in the coverlet, which is in sharp contrast to mass-produced goods. This piece can be read as a statement about the value of handmade goods in an increasingly industrialized society. The floral imagery is a common motif in domestic crafts, but it also speaks to a broader cultural interest in nature. To fully understand this coverlet, we might delve into archives, historical records, and studies of decorative arts. By doing so, we can gain a deeper insight into the coverlet's significance and the world in which it was made.
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