Bedspread by Charlotte Winter

Bedspread c. 1940

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drawing, fibre-art, weaving, textile

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pattern heavy

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drawing

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natural stone pattern

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fibre-art

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naturalistic pattern

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pattern

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weaving

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textile

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geometric pattern

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ethnic pattern

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repetition of pattern

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wooden texture

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pattern repetition

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decorative-art

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imprinted textile

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layered pattern

Dimensions: overall: 58.2 x 53.7 cm (22 15/16 x 21 1/8 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Immediately, I’m struck by the almost hypnotic effect of this textile; the color palette is warm and muted, but somehow quite vibrant too. Editor: This work, simply titled "Bedspread," dates back to around 1940. The piece is a wonderful example of textile art, employing weaving and other fiber art techniques. We don't currently know the artist. Curator: Looking closer, I can see all those intricate patterns, those interwoven floral motifs, perhaps influenced by ethnic designs – it is certainly inviting consideration within the framework of cultural hybridity. What's striking is how these choices impact ideas around domesticity and tradition? Editor: Precisely. Bedspreads, throughout history, carried connotations beyond mere functionality. Think about the communal effort in creating these items often became expressions of cultural identity, especially within marginalized communities. I wonder if we can trace the origins or influences for those particular motifs? It resembles embroidery styles in Eastern Europe. Curator: It's definitely there to unpack, looking at these pattern heavy designs makes one think of decorative-arts' claim of legitimisation and value in design production within broader societal context. Editor: Right. And also the value that would place upon "women's work" and craft-based practices within art world frameworks that so often favors easel painting. How often did bedspreads actually reflect anything about the experiences of those who laboured for so long crafting each stitch? Curator: Perhaps by looking at textile use and materiality within given historical eras could give rise to challenging traditional hierarchies to show bedspread as a canvas of cultural representation, where design conveys shared and personal messages? Editor: I absolutely concur; perhaps by diving deeper, our understanding could shed new light, placing 'Bedspread' within larger discussions about gender, labor, class and art history narratives? Curator: To explore how "Bedspread," both obscures and unravels existing biases. Editor: It presents us a starting point!

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