Gezicht op Jaarsveld en drie straatgezichten te Culemborg 1932 - 1937

These four photographs of Jaarsveld and Culemborg were assembled in an album by Berti Hoppe, who was clearly on some kind of boat trip in July 1932. I can imagine Hoppe on this trip, not knowing exactly what the pictures would look like, which is something I can relate to in my own painting. I'm sure that, like me, Hoppe was thinking about how to best capture the essence of the place and moment. There’s a tactile, almost physical quality to these photos. The way the light and shadow play across the buildings and streets gives them a sense of depth and dimension. And the composition, with its emphasis on architectural forms, communicates a feeling of groundedness and stability. This piece also makes me think about other artists who have explored similar themes, like the Bechers. Each artist has their own unique way of seeing and representing the world. It all contributes to the ongoing conversation between artists across time. We take inspiration from each other and keep the creative spirit alive.