Très Parisien, 1925,  No. 10, Pl. 13: - TOULOUSE by G-P. Joumard

Très Parisien, 1925, No. 10, Pl. 13: - TOULOUSE 1925

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drawing, print, watercolor

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portrait

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art-deco

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drawing

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print

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watercolor

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watercolour illustration

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genre-painting

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watercolor

Dimensions: height 195 mm, width 120 mm, mm

Copyright: Rijks Museum: Open Domain

Curator: Immediately, I’m struck by the way these colours embody the shifting cultural landscape of women's roles in the 1920s—there's a visual echo here of liberation. Editor: Yes, there's definitely a sense of change. This is "Trés Parisien, 1925," a watercolor and print by G-P. Joumard. It’s currently held in the Rijksmuseum collection, and I see it as quintessentially Art Deco. It gives off an interesting contrast with the rigid fashion norms that were only recently overcome at this time. Curator: Precisely, and consider the symbolic weight of the silhouette. The relaxed form of these dresses is worlds apart from earlier eras of restriction, hinting at shifting cultural values surrounding women's autonomy. Do you think it may evoke a modern woman, casting off the restrictive layers? Editor: It does read as forward-thinking. These aren't the fussy, ornamented gowns of previous generations. The streamlined shapes and more casual styles hint at movement, both literal and social. We should think about the kind of woman who'd wear such clothing; she's likely engaged with public life and embracing her agency, in line with first-wave feminism gains and flapper subculture trends that redefined what modern women could achieve! Curator: Agreed. And Joumard isn't just showing us garments; the textures, although minimal, play a vital role. Watercolour for such representations is powerful as it embodies a sense of flow in a transient socio-historical climate. We see the way these dresses move and the sense of new freedoms that they imply. Editor: And beyond just movement, I also think the geometric designs signal progress. Consider the very conscious rejection of any unnecessary decorative flourishes and instead appreciate simple linear and dotted patterning that’s present to enhance the garment's construction—everything serves to liberate from former expectations regarding status and the constraints society then had. Curator: Seeing how it all comes together in this image, a distinct feeling of feminine self-discovery during such pivotal times truly emerges! I will carry those understandings of progress forward in my appreciation. Editor: Absolutely. And I will focus on appreciating how art serves not just as a cultural artefact, but as an insightful cultural commentary that remains important!

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