's-Hertogenbosch, vroedschapspenning op de aanleg van de steenweg van 's-Hertogenbosch naar Eindhoven 1741

Editor: This commemorative medal, made of metal, dates back to 1741 and celebrates the construction of a road from 's-Hertogenbosch to Eindhoven. What strikes me is that the medal depicts both a city and almost allegorical figures, creating an unusual juxtaposition. What do you see in this piece? Curator: Immediately, the symbolism speaks volumes. The city view, labelled 'Silva Ducis', depicts 's-Hertogenbosch and heralds practical advancement. But turn the coin and observe the allegorical figures! Do you recognize Mercury, with his caduceus? Editor: Yes! And is that a female figure representing, perhaps, Commerce or Abundance? Curator: Precisely! She reclines beside a cornucopia overflowing with goods. Notice how Mercury 'urges to complete,' as the inscription states. These figures suggest more than just a road; they evoke prosperity, divine blessing on civic projects and symbolize thriving trade, which serves to improve social well-being and connects deeply with history. This goes far beyond mere portraiture! The medal celebrates ambition, progress and economic power. Editor: So the medal operates on both a literal and a symbolic level. Is that typical of Baroque art? Curator: It’s definitely in line with Baroque sensibilities. Think about how this imagery might also be speaking to anxieties of the time - maybe anxieties of stagnancy. Public works could promise social benefits, especially during tough times. I wonder how effective propaganda this was! Editor: It’s fascinating to consider the many layers of meaning packed into such a small object! Curator: Indeed. Objects like this really highlight the way visual imagery was deliberately used to shape cultural values and societal expectations. A fascinating synthesis!