Dimensions: image: 286 x 175 mm mount: 563 x 408 x 4 mm
Copyright: © Georg Baselitz | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: This untitled etching is by Georg Baselitz, part of the Tate Collections. The stark black lines on the white background create a powerful contrast. Editor: It feels chaotic, almost like an explosion frozen in time. The lines are frenetic, yet there’s a strange sense of balance. Curator: Baselitz is known for challenging conventions, and this piece is no exception. The figure, though fragmented, is rendered with an almost brutal honesty. There's an aggressive quality to the line work itself. Editor: Considering Baselitz's work often addresses post-war German identity, could this fragmentation represent a broken societal structure or a personal sense of displacement? Curator: Perhaps. The work avoids easy categorization. The formal arrangement allows for multiple interpretations, opening the door to diverse reflections. Editor: I agree, it’s a striking image that leaves much to ponder regarding form and possible narratives.
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http://www.tate.org.uk/art/artworks/baselitz-no-title-p77966
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Baselitz’s vigorous and expressive style, influenced by the drawing and paintings of the mentally ill, often represents the body as a site of anxiety. This series of prints show a female figure crouching and twisted. The body is fragmented: in some works, the head is cropped, while others feature only isolated limbs. The hatched and scored quality adds to the sense of raw spontaneity and even violence. Many of the prints include flowers and vegetation which, with the use of greens and browns, suggest wild nature and fertility. Gallery label, July 2015