Dimensions: image: 283 x 188 mm mount: 562 x 409 x 4 mm
Copyright: © Georg Baselitz | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This untitled print by Georg Baselitz in the Tate collection features these bold, stark lines. It feels both chaotic and deliberate. What do you see in terms of form and structure? Curator: The dynamism arises from the interplay of line and form. Note how the artist uses contour to define the figures and the plant, almost collapsing the distinction between them. Do you observe how the inversion complicates the spatial relationships? Editor: I see it now! The upturned figures and flowers create a sense of unease, as if defying gravity. The black and white contrast further enhances this tension. Curator: Indeed. The stark contrast emphasizes the materiality of the print itself, drawing attention to the artist's technique. The absence of color encourages a focus on the foundational elements of art making. Editor: I hadn't considered that the lack of color emphasizes the line itself. Thanks for pointing that out! Curator: A close look at form always reveals fresh insight.
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Baselitz’s vigorous and expressive style, influenced by the drawing and paintings of the mentally ill, often represents the body as a site of anxiety. This series of prints show a female figure crouching and twisted. The body is fragmented: in some works, the head is cropped, while others feature only isolated limbs. The hatched and scored quality adds to the sense of raw spontaneity and even violence. Many of the prints include flowers and vegetation which, with the use of greens and browns, suggest wild nature and fertility. Gallery label, July 2015