[no title] 1995

Curator: This is an untitled etching by Georg Baselitz, part of the Tate collection. Editor: My first impression is controlled chaos. The stark black lines on a white background create a sense of unease, a kind of visual scream, but there's also an undeniable energy there. Curator: Baselitz is known for his inverted figures, and though this print is not inverted in the traditional sense, there's a sense of disorientation and fragmentation that challenges the viewer’s perception, disrupting the conventional relationship between artist, subject, and viewer. Editor: Yes, it's as if he's deconstructing the human form and societal norms simultaneously. The aggressive lines and distorted shapes feel like a rejection of established order, a visual rebellion against the status quo. Curator: It's interesting how Baselitz's personal history growing up in postwar Germany influenced his artistic perspective, leading him to question authority and challenge established artistic traditions. Editor: Absolutely. This print, with its raw intensity and fragmented imagery, serves as a potent reminder of the artist's commitment to challenging societal norms and pushing the boundaries of artistic expression. Curator: It invites us to confront our own perceptions and question the structures that shape our understanding of the world. Editor: A really moving piece that stays with you, even.