Woven Coverlet c. 1940

Editor: This is a drawing of a Woven Coverlet made around 1940 by Charlotte Angus. It’s really eye-catching! The colors are so vibrant, even for something that’s supposed to be almost a century old. What do you find particularly striking about this textile design? Curator: Ah, this piece vibrates with a handmade kind of history, doesn’t it? For me, it’s not just the color—it’s the narrative whispered in those patterns. Think about it: each geometric form, each little bird or flower, tells a story, almost like folk tales translated into thread. It's a bit like reading a secret message from the past. Do you sense anything of the maker's personality coming through? Editor: Definitely, there's something very personal about the design, especially with those quirky birds, eagles, and roosters. And those bursts of flower motifs surrounded by sunlight! It gives it such a handcrafted vibe! I notice the drawing includes lettering inside one section - perhaps it provides some insight. Curator: Exactly! Those small personalized aspects bring me in! You see, pieces like this served a double purpose: functional warmth and profound, beautiful expression. Folk art usually springs from a necessity that transcends our expectations and assumptions, becoming more beautiful in the process! How do you think knowing its context might change how we look at it? Editor: It's kind of amazing that an everyday object could be so expressive. Looking at it, it feels less like just something to keep you warm and more like a visual poem. Thank you. Curator: A visual poem, yes! It gives us much to unravel and admire when we consider it in all it represents: maker, place, and story. Glad to share.