Mlle. Lebrey, Paris, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes by Allen & Ginter

Mlle. Lebrey, Paris, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes 1885 - 1891

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drawing, print, photography

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portrait

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drawing

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print

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figuration

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photography

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genre-painting

Dimensions: Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm)

Copyright: Public Domain

Curator: This card, from the Actors and Actresses series printed between 1885 and 1891, features Mlle. Lebrey of Paris and was distributed by Virginia Brights Cigarettes. It's currently housed at the Metropolitan Museum of Art. Editor: Immediately, I'm struck by the almost ghostly quality of the sepia tones. It creates a sense of distance, as if we’re peering into a very faded memory. The composition is also curious—she leans casually on the table, almost detached from it. Curator: These cards offer us a glimpse into the commodification of celebrity and feminine ideals of the period. The very act of placing an actress's image on a cigarette card underscores her objectification within a burgeoning consumer culture, catering to masculine desire. Editor: Yes, and consider how the photographic medium flattens the subject, turning her into an easily reproducible image, divorced from her real presence. It becomes an exercise in seriality. The textures, however—the ruffled fabric of her skirt, the sheen on the wine bottle—hint at a materiality that resists complete dematerialization. Curator: Precisely! Her posture, styled yet suggestive, negotiates a narrow path between acceptable public persona and subtle allure. One must acknowledge the role of actresses in shaping ideals of beauty and behavior in this era. The wine, for example, alludes to leisure and perhaps hints at a certain… unconventionality. Editor: And what about the geometry of the table juxtaposed with the soft curves of her figure? It is an interplay of sharp lines and flowing forms, creating an interesting tension. Curator: Considering the circulation of these images, we must also consider their impact on notions of nationality, performance, and the pervasive advertising strategies that reinforced societal norms and biases. They represent far more than a simple portrait. Editor: True, dissecting even a seemingly simple image reveals complex formal structures and power relations, ultimately creating meaning beyond the literal. This has been such an intriguing dialogue.

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