Miss Rivalto, from the Actresses series (N203) issued by Wm. S. Kimball & Co. 1889
drawing, print, photography
portrait
drawing
16_19th-century
photography
19th century
Dimensions Sheet: 2 5/8 × 1 3/8 in. (6.6 × 3.5 cm)
Editor: Here we have "Miss Rivalto," a photograph from the Actresses series issued by Wm. S. Kimball & Co. in 1889. She looks so poised, yet vulnerable somehow. What do you see in this piece? Curator: It's fascinating how this small card reflects broader social and cultural currents of the late 19th century. On one hand, it’s a promotional item, a piece of commercial ephemera. On the other hand, it participates in the burgeoning celebrity culture and the idealization, sometimes commodification, of female performers. Have you thought about the implications of circulating an actress's image to promote cigarettes? Editor: That’s interesting. It feels… contradictory? There’s this artistic aspiration mixed with marketing tactics. Curator: Precisely! Think about the woman's positioning here. Miss Rivalto’s gaze meets ours, suggesting a level of agency. Yet, she is presented for consumption, framed within the constraints of societal expectations about women's roles and public image. How does that tension speak to emerging feminist discourse at that time? Editor: So it's a push and pull between empowerment and objectification? I hadn’t considered that. Curator: Yes, and further, the photographic medium itself democratizes representation while simultaneously allowing for control and manipulation of image. The Actresses series highlights a changing dynamic, creating visibility for women in the public sphere while reinforcing normative beauty standards. It's worth pondering, whose stories are amplified, and whose are silenced within this kind of representation? Editor: That's a great point; the card is not just a portrait but also a commentary. I never would have seen that complexity on my own! Curator: Exactly! It reveals so much about the intersecting forces of commerce, gender, and representation shaping our perceptions even today.
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