Lillie Howard, Corsair Co., from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes by Allen & Ginter

Lillie Howard, Corsair Co., from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes 1885 - 1891

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drawing, print, photography

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portrait

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drawing

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print

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impressionism

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photography

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genre-painting

Dimensions Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm)

Curator: Oh, I do like this. Immediately gives me a feeling of backstage daring, don’t you think? Sort of an assertive playfulness lurking under that gaze. Editor: Indeed. Let's delve in. What we're observing is a trade card featuring Lillie Howard, of Corsair Co. Fame. Part of the "Actors and Actresses" series for Virginia Brights Cigarettes, dating between 1885 and 1891. A tiny window into that world! Curator: Ah, so marketing genius at its turn-of-the-century best. See how she meets the viewer’s eye head-on? The tilt of her feathered hat only adds to the suggestion she might just do as she pleases, whatever “Corsair Co.” might get up to. I imagine there's layers to decode here... Editor: Most assuredly. As a photographic print, likely mass-produced, its texture is nearly as smooth as porcelain, belying the complex techniques that create the illusion of depth, light, and shadow. This image embodies a particular cultural performance. Consider the strategic use of pose and gaze – her relaxed stance atop that elaborate stool projects confidence, challenging conventional portrayals of women. Note the carefully controlled lighting, accentuating key details of her costume and demeanor. Curator: But beneath it, I sense…artifice? Or maybe exhaustion. Her pose strikes me as one struck countless times, but something in the eyes doesn’t match. She presents as the star, sure, but not on her own terms necessarily. It is also fascinating that a tobacco company promoted actors. Do you see some of that contradiction at play, the real meeting the idealized image? Editor: Precisely. This contradiction unveils the card’s complex semiotics. It functions simultaneously as commercial advertising and a document of popular culture, reflecting a tension inherent in late 19th-century society between public spectacle and private experience. This tension makes the print truly fascinating. Curator: Agreed. I see now an intentional mirroring of reality and fantasy that still grabs attention decades later! Editor: Quite. An exceptional example that merges material culture with the dynamics of celebrity image creation!

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