Untitled c. 1856

This oval photograph of 'The Thames near Weybridge' was created by Henry White during the late 19th century. The composition focuses on the reflective surface of the river, which mirrors the trees and foliage on the bank. White uses a muted palette, primarily in tones of sepia, creating a tranquil, almost melancholic mood. The circular format isolates the scene, drawing our attention to the interplay between the natural elements and their reflections. This photograph destabilizes traditional landscape photography through its emphasis on symmetry. By positioning the horizon line near the center, White challenges conventional perspective, prompting us to contemplate the relationship between reality and its mirrored image. In this way, the visual language in photography is not just mimetic but reflective, questioning our perceptions of nature itself.