Titelvignet, 1801 by Daniël Vrijdag

Titelvignet, 1801 1801

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drawing, print, engraving

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pencil drawn

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drawing

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neoclacissism

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print

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pencil sketch

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figuration

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pencil drawing

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line

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history-painting

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academic-art

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engraving

Dimensions: height 92 mm, width 69 mm

Copyright: Rijks Museum: Open Domain

Curator: The Rijksmuseum holds a fascinating print dating from 1801, "Titelvignet," an engraving after a drawing by C.R. Cuytenburg, and engraved by Daniël Vrijdag. It's clearly influenced by neoclassicism, with a figure in classical garb. Editor: She’s gorgeous, even in monochrome! Though… something about the shading gives it a slightly melancholic feel, doesn't it? A bit like a faded memory, all in grayscale. Curator: Indeed, the linear style contributes to that sense of idealized form, almost like a classical statue rendered for print. Notice the figure – an allegorical representation, likely of the Batavian Republic. She holds a shield emblazoned with text and a spear topped with what appears to be a cap. Editor: That cap is peculiar, almost whimsical against the backdrop of such solemnity. What's the deal with it? Curator: The "freedom cap," or Pileus, symbolized liberty and emancipation, harking back to Roman times where freed slaves were given such a cap. And of course, the figure treads upon broken shackles. Editor: Ah, symbolic footwear! I love those touches! The layering of meanings… It feels deeply considered, but not without a sense of… theatricality. Like history as performance. Curator: The Bataafsche Republiek, mentioned on the shield, did aim to emulate the virtues of the Roman Republic. Vrijdag, through Cuytenburg's design, captured this moment of political aspiration. Look closer, and the lines are surprisingly vibrant; it is both academic and imbued with dynamism. Editor: You know, for something intended to be serious and stately, there's a fragility here, too. Perhaps it is the ephemeral nature of prints…Or the history it speaks about...All these fleeting moments, caught, etched in a time frame! Curator: A fitting thought. It reminds us of the enduring yet constantly shifting nature of symbols themselves, how they accrue meanings, and how artists like Vrijdag played a role in shaping and preserving cultural memory. Editor: A monochrome echo, whispering of revolutions and republics...I’ll definitely be contemplating the slipper-shoes long after we leave.

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